Gardar Eide Einarsson

Jun 10, 2008 - Jun 22, 2008

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Gardar Eide Einarsson, The Front Room, Contemporary Art Museum St. Louis, 2008. Photo by Bruce Burton. 

 

Gardar Eide Einarsson, The Front Room, Contemporary Art Museum St. Louis, 2008. Photo by Bruce Burton.   

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Borrowing imagery from outlaw subcultures, particularly the criminal underground and American left-wing militias, and often working with a black-and-white palette, Norwegian artist Gardar Eine Einarsson works to locate positions of paranoia, rebellion, and the administration of justice. His installations often combine paintings leaned against walls as “props,” flags imprinted with explicit messages, emblems appropriated from graffiti, skateboarding graphics, and punk music posters that he has painted directly onto gallery walls, videos, photography, and furni- ture displayed as sculpture. At the Contemporary, Einarsson opts for a minimal aesthetic, constraining The Front Room by creating a chain-link fence using spray paint and a single, re-used stencil. In this site-specific installation, Einarsson points to the graphic symbols of oppression and violence, while remaining entirely abstract in a grid of diagonal lines.

 

Sponsors

General support for the Contemporary’s exhibitions program is generously provided by the Whitaker Foundation; William E. Weiss Foundation; Regional Arts Commission; Arts and Education Council; Missouri Arts Council, a state agency; Nancy Reynolds and Dwyer Brown; and members of the Contemporary Art Museum St. Louis.