Arcangelo Sassolino: Not Human

Jan 15, 2016 - Apr 3, 2016

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Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.

Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.Arcangelo Sassolino: Not Human, installation view, Contemporary Art Museum St. Louis, January 15–April 3, 2016. Photo: David Johnson.
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Arcangelo Sassolino: Not Human is the Italian sculptor’s first solo museum exhibition in the United States, featuring his kinetic sculptures that breathe, explode, punch, and crush. Elegantly fabricated with the help of experts and engineers, each work mimics a human experience: taking a breath, biting down. But these anthropomorphic references are complicated by the fact that the objects can be menacing as well as captivating; while some are poetic, others confront viewers with seemingly dangerous and violent acts.

Not Human highlights the three distinct states of Sassolino’s sculptures: the machine at rest, the action, and the ensuing aftermath. Macroscopic and domestic (2010), for example, consists of a powder-coated air compression tank that rhythmically inflates and deflates an empty water bottle, essentially functioning like a respirator or lung. In Untitled (2007), a block of wood is subjected to the force of a hydraulic piston, initially concealed within a polished exterior. Once activated, the machine slowly releases a solid steel “arm,” breaking the plank in two and emitting gunshot-like noises as the structure splinters.

Sassolino attempts to push the expectations of sculpture, re-casting physical, often times destructive, acts. His work calls into question the qualities one must possess to be human, while raising doubt about agency and empathy in our contemporary consciousness.

Arcangelo Sassolino (b. 1967, Vicenza, Italy) lives and works in his hometown. His solo exhibitions include Palais de Tokyo, Paris (2008); Critical Mass, Feinkost, Berlin, Germany (2008); Galleria Continua, San Gimignano, Italy (2010); MACRO Museum, Rome, Italy (2011); the environmental projects presented in Z33 Center for Contemporary Art in Hasselt, Belgium (2010); and in the context of Art and The City in Zurich (2012). Sassolino’s work has been featured in a number of group exhibitions, including shows at 104, Paris, France (2015); Bortolami Gallery, New York (2013); Centro di Cultura Contemporanea Strozzina, Firenze, Italy (2012, 2010); Swiss Institute, New York (2011); Tinguely Museum, Basel, Switzerland (2010); Peggy Guggenheim Collection, Venice, Italy (2009); Micamoca, Berlin, Germany (2009); Dunkers Kulturhus, Helsingborg, Sweden (2008); FRAC, Rheims, France (2007); ZKM, Karlsruhe, Germany (2004); and Fondazione Bevilacqua la Masa, Venice (2002).

Arcangelo Sassolino: Not Human is organized for the Contemporary Art Museum St. Louis by Jeffrey Uslip, Chief Curator.

Sponsors

This exhibition is generously supported by Eve Steele and Peter Gelles; Paolo Ferretti, hmc-heartmindcreativity; Galerie Rolando Anselmi, Berlin; and Galleria Continua, San Gimignano. Special thanks to Bolyard’s Meat & Provisions.