Mel Chin: Rematch

Sep 5, 2014 - Dec 20, 2014

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Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin, The Funk and Wag from A to Z (detail), 2008–2012. Excised printed pages from The Universal Standard Encyclopedia, 1953–56, by Wilfred Funk, Inc., archival water-based glue, paper, 524 collages, 144 x 388 x 296 inches. Courtesy the artist. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin, The Funk and Wag from A to Z (detail), 2008–2012. Excised printed pages from The Universal Standard Encyclopedia, 1953–56, by Wilfred Funk, Inc., archival water-based glue, paper, 524 collages, 144 x 388 x 296 inches. Courtesy the artist. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.Mel Chin: Rematch, installation view, Contemporary Art Museum St. Louis, September 5–December 20, 2014. Photo: David Johnson.

Gallery Guide
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The most expansive presentation of conceptual artist Mel Chin’s work to date, Rematch features approximately fifty works from the past forty years—including sculpture, video, drawing, painting, and rarely seen documentation of the artist’s public land art and performance works. The exhibition provides an overview of Chin’s complex and diverse body of work, stressing the collaborative nature of many of the artist’s endeavors and exploring his engagement with social justice and community partnerships.

Encompassing a wide variety of media, Chin’s work evades easy classification and often includes multi-disciplinary and cross-cultural teamwork. Chin frequently inserts art into unlikely places, including destroyed homes, toxic landfills, and even popular television shows, investigating how art can provoke greater social awareness and responsibility. Chin has also produced a body of sculpture and drawings steeped in the legacy of Dada and Surrealism. Rematch highlights the thematic strands that run throughout Chin’s broad range of subject matter, materials, and formal approaches. 

In addition to large-scale installations like The Funk and Wag from A to Z (2012)—a surrealist large-scale arrangement of collages culled from the Funk and Wagnalls encyclopedia—the exhibition includes examples of Chin’s intersections into the realm of popular culture and politics, including In the Name of the Place: GALA Committee (1995–97), for which Chin collaborated with the TV series Melrose Place to place socially engaged content into the show’s sets and props. Documentation of major land-based projects like The Earthworks: See/Saw (1976) will be on view, as well as ecological, science-based projects like Revival Field (begun in 1990), which played a seminal role in promoting the field of phytoremediation, or the use of plants in treating toxic soil. 

Rematch also features Chin’s recent venture, Operation Paydirt, and the accompanying Fundred Dollar Bill Project, begun in 2006 in New Orleans. These nationwide interdisciplinary projects generate thousands of children’s drawings in an effort to raise awareness about lead poisoning. This fall CAM will host a number of Fundreds workshops at the Museum and throughout the community. 

Mel Chin (b. 1951, Houston, Texas) has had solo exhibitions at the Hirshhorn Museum and Sculpture Garden (1989), Walker Art Center (1990), The Menil Collection (1991), and Station Museum of Contemporary Art, Houston (2006). He has received numerous awards and grants from organizations such as the National Endowment for the Arts, New York State Council for the Arts, Art Matters, Creative Capital, the Penny McCall Foundation, the Pollock/Krasner Foundation, the Joan Mitchell Foundation, the Rockefeller Foundation, and the Louis Comfort Tiffany Foundation, among others. Chin received a Bachelors of Arts from Peabody College in Nashville, Tennessee. 

Sponsors

Mel Chin: Rematch is organized by the New Orleans Museum of Art. The exhibition is coordinated at the Contemporary Art Museum St. Louis by Lisa Melandri, Executive Director, and is accompanied by a fully illustrated catalog. Major support for the exhibition is provided by The Andy Warhol Foundation for the Visual Arts, the Creating A Living Legacy Program of the Joan Mitchell Foundation, Suzanne Deal Booth and David G. Booth, the Bertuzzi Family Foundation, Susan and Ralph Brennan, and Stephen Reily.

 

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