Application for the 2020 Great Rivers Biennial opens March 4, 2019. Deadline: Friday, April 26, 11:59 pm CT.
- Artist must currently reside in the metro area, including St. Louis City and the counties of St. Louis, Jefferson, and St. Charles in Missouri or St. Clair and Madison in Illinois.
- Artist must have lived in the St. Louis metro area (six counties) for at least one year prior to the application deadline.
- Artist must continue to reside in the St. Louis metro area during the designated planning, production, and exhibition period.
- Artist may not have previously received a Great Rivers Biennial award.
- Artist may be a degree-seeking graduate student. All other students are ineligible.
- Artist must be available for studio visits with the jurors. Alternative spaces may be arranged if artist does not have a studio. The jurors will choose ten semi-finalists who will receive these visits. Visits must be in-person, not by phone or video.
- Accepted media: Drawing, film and video, installation, mixed media, painting, photography, printmaking, sculpture.
A panel of distinguished jurors will review all submissions that meet the eligibility requirements. The jurors will choose ten semi-finalists and visit these artists’ studios. Afterward, the jurors will select up to three winners. CAM curatorial staff may also attend the studio visits; however the selection process will be made exclusively by the three jurors.
2020 Great Rivers Biennial
- Applications open: March 4, 2019
- Application deadline: April 26, 2019, midnight
- Ten semi-finalists chosen: June 7, 2019
- Studio visits: June 17–26, 2019
- Winners announced: July 8, 2019
- Exhibition on view: May 8–August 16, 2020
Once the jurors have selected the artists, all exhibition communications, logistics, follow-up studio visits, and installation of artwork will be with the CAM curatorial department. CAM Assistant Curator Misa Jeffereis will act as the organizing curator of the exhibition, and artists will work closely with her for the successful implementation of their exhibitions.
2018 Addoley Dzegede, Sarah Paulsen, and Jacob Stanley
2016 Lyndon Barrois Jr., Nanette Boileau, and Tate Foley
2014 Brandon Anschultz, Carlie Trosclair, and Cayce Zavaglia
2012 David Johnson, Asma Kazmi, and Mel Trad
2010 Martin Brief, Sarah Frost, and Cameron Fuller
2008 Juan William Chávez, Corey Escoto, Michelle Oosterbaan
2006 Jason Wallace Triefenbach, Moses, and Matthew Strauss
2004 Jill Downen, Adam Frelin, and Kim Humphries
José Carlos Diaz is the Chief Curator at The Andy Warhol Museum and was a 2018 fellow at the Center for Curatorial Leadership (CCL). At The Warhol he has curated Farhad Moshiri: Go West (2018) and is currently working on the upcoming exhibitions Andy Warhol: Revelation and Fantasy America, featuring Kambui Olujimi, Pacifico Silano, and Chloe Wise, among others. Prior to this Diaz was the Curator of Exhibitions at the Bass Museum in Miami Beach where he curated artist commissions by Athi-Patra Ruga, Sylvie Fleury, the exhibition GOLD (2015), and organized One Way: Peter Marino (2015). Prior to joining the Bass Museum he worked at Tate Liverpool and at the Liverpool Biennial. Diaz received a MA in Cultural History from the University of Liverpool, and a BA in Art History from San Francisco State University. In 2003 Diaz tenured as a curatorial intern at The Rubell Family Collection and launched a nomadic curatorial project called Worm-Hole Laboratory.
Christopher Y. Lew is the Nancy and Fred Poses Curator at the Whitney Museum of American Art. Lew oversees the emerging artist program at the Museum and was co-curator of the 2017 Whitney Biennial. He most recently organized Kevin Beasley: A view of a landscape (2018) and mounted the first US solo exhibitions for Sophia Al-Maria, Rachel Rose, and Jared Madere. He also organized Lucy Dodd’s large-scale installation that was part of the exhibition Open Plan (2016) and was co-curator of the group show Mirror Cells (2016). Prior to joining the Whitney, he was Assistant Curator at MoMA PS1 and organized numerous exhibitions there. Lew has contributed to several publications including Art AsiaPacific, Art Journal, BOMB, Huffington Post, and Mousse.
Amanda Ross-Ho has exhibited widely in museums and galleries worldwide, including solo exhibitions at Bonner Kunstverein, Bonn (2017); Vleeshal, Middleburg, Netherlands (2016); Praz-Delavallade, Paris (2015); The Museum of Contemporary Art, Cleveland (2014); and the Museum of Contemporary Art, Los Angeles (2012). Her work has been included in group exhibitions at The Walker Art Center, Minneapolis (2016), Orange County Museum of Art, Newport Beach (2011); Museum of Modern Art, New York (2010); Whitney Biennial, New York (2008); among many other institutions. Her work is in the permanent collections of the Museum of Contemporary Art, Los Angeles; Henry Art Gallery, Seattle; Los Angeles County Museum of Art; and Orange County Museum of Art.